Joseph Yaeger’s Agita begins with images we think we recognise and a text we cannot fully trust. We examine how memory, found imagery, watercolour and material accident turn contemporary image culture into psychologically unstable painting.

MoMA’s new photography exhibition begins with Marianne Wex’s radical archive of gendered body language and expands the question through seven contemporary artists. The result is a sharp study of bodies, space, archives and who controls representation.

Frieze Seoul’s strongest signal was not a single million-dollar sale but the breadth beneath it: Korean modernists, international blue chip, museum acquisitions, emerging artists and genuinely accessible entry points all found buyers.

Alix Vernet sees the backs of New York air conditioners as archives: fragile aluminum surfaces that record weather, maintenance, touch and heat exchange. LANDMARKS turns overlooked infrastructure into some of the city’s strangest new monuments.

Paris Design Week is too large for a checklist. Our collector’s edit focuses on the places where collectible design, exceptional craft and historic interiors create the strongest opportunities for serious looking and collecting.

Becky Gochman’s Telluride retreat is both a family home and one node in an active lending collection—raising a richer question about how collectors can live with contemporary Indigenous art without turning it into décor.