From Roy Lichtenstein’s final year and Taryn Simon’s Guggenheim rotunda to Brice Marden, Torkwase Dyson, Thomas Ruff and Independent 20th Century at the Breuer: the exhibitions collectors should prioritise in New York this September.

Maurizio Cattelan’s first major solo exhibition in Germany places historical works and new commissions inside Mies van der Rohe’s Neue Nationalgalerie. Has the spectacle surrounding the banana obscured how serious—and how unresolved—his art actually is?

The Japanese composer and media artist has received one of the field's significant international distinctions, recognising a practice that has transformed data, mathematics, light and sound into immersive artistic experiences.

As CHART and Enter Art Fair open across Copenhagen, the strongest reason to visit is the art beyond the headline events: Camille Henrot at Copenhagen Contemporary, Ayako Rokkaku across fair and public space, Emma Kohlmann at V1, Anna Munk at Nicolai Wallner, Janaina Tschäpe at Galleri Bo Bjerggaard and more.

Yayoi Kusama turned repetition, vulnerability and rebellion into one of the most recognisable visual languages of our time. A life shaped by exclusion, activism and radical self-invention became a legacy that transformed both art history and the global market.

A nearly ten-foot John McCracken column in the living room, Scott Burton chairs in the kitchen and Sturtevant beside the bed: Patrick Collins’s homes show what happens when a collector lets difficult art remain difficult.