As the autumn leaves fall, London's art scene is set ablaze by the much-anticipated Frieze London 2024, a fair poised to leave an indelible mark on the art world.

‍October 15 marks the opening of a vibrant new exhibition in the heart of Paris's 8th Arrondissement. Renowned art curator Sonia Borrell (known as @soniabblondon) and gallerist Géraldine Zberro from Galerie Zberro are set to unveil La Vie Est Belle, a 25-artist group exhibition that spotlights the forefront of the ultra-contemporary art movement. The premiere will take place on October 15, 2024, at 5 p.m., 25 Rue Jean Mermoz, Paris, France, during Paris Art Week. The event will span three weeks, running from October 15th to November 5th.‍

Duct tape, bondage, condoms, chains… Marc Aurele's debut solo exhibition at The Bomb Factory Foundation is a striking exploration of your darkest arcane appetites. The exhibition, minimalist and meticulously curated, presents raw materials in their most unadorned state. Upon entering, visitors are immediately enveloped in a sensory experience.

April arrives with the melodious chirping of birds, stirring excitement for the summer holidays already planned, and Venice gearing up for its biennial extravaganza. Devoting just a monthly recommendation to this would be sacrilege. Instead, let's focus on a feast sweeping across Europe this month and lasting until September, offering a plethora of orgasmic exhibitions.

With less than a week until the press reviews and a 10-day countdown to the inauguration of the 2024 Biennale,the art world's spotlight converges on Adriano Pedrosa and the 332 artists poised to define the contemporary art landscape at the Giardini and the Arsenale. With a keen eye for capturing the essence of our times, Pedrosa's curated exhibition for the 60th iteration of this prestigious event is a testament to the global currents of migration and the vibrant tapestry of queer and indigenous voices.

"An artwork must resonate with me on a personal level; it's essential that I can perceive the narrative woven into every piece I consider. I listen for the artist's voice in their work, sensing the pulse of their passion. There must be that moment—a kind of heartbeat—when I first lay eyes on a piece. If that heartbeat isn’t there, if the work doesn't stir something within me, I simply can't bring myself to add it to my collection."