LATEST NEWS:
Jenny Holzer & Andy Goldsworthy win 2026 Praemium Imperiale • €9m Renoir museum heist in France • Dimitris Daskalopoulos donates 51 works to museums in Greece & Scotland • Artist Lucien Smith dies aged 37 • Faro Santander opens with 1,000-work collection • Argentina orders return of Nazi-looted Old Master • Greece rejects Parthenon Marbles loan request • Smithsonian chief Lonnie Bunch announces retirement
ARTICLES
After Magritte: How One Artist’s Visual Language Became Contemporary Art’s Common Currency

Gagosian’s ambitious London exhibition places René Magritte beside more than forty artists. For collectors, its real value lies in separating meaningful artistic inheritance from superficial resemblance — and in seeing why Magritte’s central problem, the unstable relationship between image and reality, feels newly urgent.

Frieze London 2026: The Collector’s Guide to Navigating Frieze

Forget trying to see everything. Our collector’s guide to Frieze London and Frieze Masters identifies where discovery, scholarship and genuinely useful market intelligence are concentrated in 2026.

Nicola Turner Makes Memory Physical at Annely Juda

In I Tear Secrets From Your Yielding Flesh, Nicola Turner transforms wool, reclaimed horsehair and Hanover Square’s hidden histories into a persuasive, bodily sculpture installation.

Jordan Wolfson: When the Image Becomes a Threatening Object

At Gagosian New York, Jordan Wolfson gives circulating images physical weight, turning polished aluminium, reflection and spikes into a confrontation with screen culture.

The Golden Ear and the Collector’s Eye: Inside Clive Davis’s Art Collection

Christie’s reveals the late Clive Davis’s private collection, from Warhol and Hockney to Stella and Mitchell—and the discerning eye behind a lifetime of collecting.

Louis Fratino’s ‘Prose’: Intimacy Expands Beyond the Room

In his first London solo exhibition and first show with David Zwirner since joining the gallery, Louis Fratino broadens his intimate figurative language into city life, landscape and a more expansive dialogue with art history.